Beethoven Symphony No 1 ~ No 9
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Beethoven Symphony No 1
Here, it’s performed at the Beethovenfest Bonn 2021
by the ORF Vienna Radio Symphony Orchestra conducted
by Michael Boder in the World Conference Center Bonn (WCCB).
Ludwig van Beethoven (1770 - 1827) is thought to have sketched out his first themes for the symphony in 1794, elaborating upon them predominantly in 1799,
with the premiere held in Vienna on April 2, 1800. The Symphony No. 1 – conducted by Beethoven himself – was met with public favor from the off,
and remains to this day one of Beethoven's most popular symphonies.
(00:00) I. Adagio molto – Allegro con brio
(09:17) II. Andante cantabile con moto
(16:18) III. Menuetto: Allegro moto e vivace
(19:50) IV. Adagio – Allegro molto e vivace
- Symphony No.2 in D major, Op.36:
• I. Adagio molto - Allegro con brio (00:07)
• II. Larghetto (10:31)
• III. Scherzo [Allegro - Trio] (20:51)
• IV. Allegro molto (24:53)
- Conductor: Herbert von Karajan
- Orchestra: Berliner Philharmoniker
Sinfonia n. 3 in mi bemolle maggiore op. 55 “Eroica”
00:51 Allegro con brio
19:30 Marcia funebre: Adagio assai
35:50 Scherzo: Allegro vivace
41:52 Finale: Allegro molto
Orchestra del Teatro La Fenice
direttore Myung-Whun Chung
It is perhaps the most cheerful of Beethoven's symphonies, performed here with such lightness of step and deft elegance: Conducted by Thomas Hengelbrock, the Orchestre de Paris performs Ludwig van Beethoven's Symphony No. 4 in B-flat major, Op. 60, at a 2017 concert held at the Philharmonie de Paris.
Ludwig van Beethoven (1770-1827) composed his fourth symphony in 1806, in a comparatively short amount of time. The March 1807 premiere was held in private, conducted by the composer himself, the first public performance being given in November of that same year. The Symphony No. 4 was well received during the composer's lifetime, but fell under later criticism. When held up against Beethoven's monumental Symphonies Nos. 3, 5, and 9 – it appears somewhat flat, less pregnant with meaning. The sunny nature of the Fourth should not however obscure the fact that it, too, is an expression of a theme which lay outside the usual bounds of music, and a formidable one at that; the theme of freedom.
Beethoven had been previously preoccupied with his opera Fidelio – the paradigm of the ‘rescue opera’ genre. An initial version was premiered in 1805, the second incarnation appearing in March of 1806. Beethoven's fourth symphony may be considered a continuation of Fidelio’s theme of liberation. The first movement, for instance, begins with a slow, brooding introduction, upon which the fast, lilting main theme bursts in like a liberating strike. Beethoven also references his sole opera in movements which follow. There is, however, an additional, programmatic parallel between Beethoven's Fourth and Fidelio: Both pieces deal with love. In the opera, the theme is openly played out, yet in the Symphony No. 4 it is expressed as a gesture, or a mood. Beethoven was experiencing a contented love affair with the Countess Josephine Deym von Stritetz while he was composing his fourth symphony.
(00:00) I. Adagio – Allegro vivace
(12:05) II. Adagio
(21:49) III. Menuetto – Trio: Allegro vivace – Un poco meno allegro
(27:21) IV. Allegro ma non troppo
It was the high point of Leipzig’s tenth anniversary celebrations of German reunification – Ludwig van Beethoven's Symphony No. 5 in C minor, Op. 67, performed by the Gewandhaus Orchestra Leipzig and conducted by Herbert Blomstedt. The commemorative concert was held in the St. Nicholas Church on October 9, 1999.
A key moment in history occurred in Leipzig – the former GDR’s second-largest city – on October 9, 1989, when some 70,000 Leipzig residents overcame their fear of their authoritarian state to demonstrate for freedom, and increased democracy. This ‘Monday demonstration‘ as it would become known ran peacefully, despite mounting political tensions, and would become one of the events that lead to the fall of the Berlin Wall on November 9, one month later.
The demonstrators' rallying cry of "Wir sind das Volk!“ – we are the people – was picked up again for this concert, where the fateful turn of history was to be commemorated with this performance of Beethoven's Fifth, also known as his 'Fateful Symphony'. It‘s said to have received the additional epithet by way of a bon mot from the composer himself. Speaking of its four opening notes and their famous rhythm, Beethoven is reported to have said "Thus, fate knocks at the door!"
This interpretation by the Leipzig Gewandhaus Orchestra, conducted by Herbert Blomstedt, is positively ponderous in tempo, meaning one can listen intently to each twist and turn of Beethoven's symphony. In commemoration of that crucial day in Leipzig so shortly before the shift in the tide of world politics, this artistic choice certainly works to underscore the slow turning of fate.
(00:00) I. Allegro con brio
(07:45) II. Andante con moto
(17:49) III. Allegro
(26:21) IV. Allegro
베토벤의 교향곡 6번, 즉 전원 교향곡은 자연을 묘사한 가장 상징적인 음악 중 하나입니다. 여기서는 2021년 베토벤 페스티벌 본에서 실뱅 캄브렐링이 지휘하는 Kammerorchester Basel이 월드 컨퍼런스 센터(WCCB)에서 연주합니다.
(00:00) 오프닝
(00:23) I. Allegro ma non troppo: Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande(시골에 도착하면서 기분 좋은 감정이 깨어남)
(11:39) II. Andante molto mosso: Szene am Bach(시냇가의 풍경)
(23:42) III. Allegro: Lustiges Zusammensein der Landleute(시골 사람들의 즐거운 모임)
(29:05) IV. 알레그로: Gewitter, Sturm(뇌우; 폭풍)
(32:56) V. 알레그레토: Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm(목동의 노래; 폭풍 후의 쾌활하고 감사한 감정)
루트비히 반 베토벤(1770-1827)은 1808년에 교향곡 6번 F장조, 작품번호 68을 완성했습니다. 당시 이 음악가는 이미 전통적인 패턴을 깨는 것으로 유명했고, 이 교향곡도 예외는 아니었습니다. 시골 산책을 매우 좋아했던 그는 작곡을 통해 자연을 표현한다는 아이디어를 생각해냈습니다. 시골 풍경과 목가적인 삶이 음악적으로 묘사되었습니다.
Triumph and tragedy: Beethoven’s Symphony No. 7, performed by the Royal Concertgebouw Orchestra conducted by Bernard Haitink. The audience loved this 2009 concert at the Royal Concertgebouw Amsterdam.
(00:00) Introduction
(00:35) I. Poco sostenuto – Vivace
(14:46) II. Allegretto
(22:46) III. Presto
(32:08) IV. Allegro con brio
Ask a person on the street what their favorite Beethoven symphony is, and they’ll likely say the Fifth, or the Ninth. But ask a classical musician, and a surprising number of times you'll hear: The Seventh. "Here every impetuosity, every longing and ranting of the heart becomes a blissful exuberance of joy." Those effusive words came from the pen of composer Richard Wagner, when he was describing the Symphony No. 7 in A Major, opus 92 by Ludwig van Beethoven (1770 – 1827).
Beethoven Symphony No 8
I. Allegro vivace e con brio 00:00 ∙
II. Allegretto scherzando 08:34 ∙
III. Tempo di Menuetto 12:19 ∙
IV. Allegro vivace 16:50 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Paavo Järvi, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 19. Mai 2022 ∙
Beethoven Symphony No 9 합창
The West-Eastern Divan Orchestra conducted by Daniel Barenboim performs Beethoven's Ninth Symphony at the Berlin Philharmonic. It's supported by singers Angela Denoke, Waltraud Meier, Burkhard Fritz and René Pape. The West-Eastern Divan Orchestra is a very special ensemble: It is made up of young Israeli and Arab musicians and is campaigning for a peaceful solution to the Middle East conflict. The West-Eastern Divan Orchestra, which was founded in 1999, gives concerts all over the world. Proceeds from the concert in Berlin went to the Barenboim-Said Academy, which supports musical education programs.
The 9th Symphony in D minor op. 125 is the last finished symphony by the composer Ludwig van Beethoven. The work was premiered in Vienna on May 7, 1824 in the presence of Beethoven, who was already completely deaf and was a complete success. The fourth movement is also known as "Ode to Joy" and is one of the most popular songs in the world. Since 1985, the main theme of the last movement has been the official European anthem.
I. Allegro ma non troppo, un poco maestoso 00:00
II. Molto vivace 17:54
III. Adagio molto e cantábile 29:59
IV. Presto 47:10
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